a Limited Fork Theory study of the poetics of movement, some of which is audible, some of which has the potential to be audible because it moves on some scale in some location for some duration of time
Thanks so much for this video. The movement in it reminds me of the vibrational stretch in multiple, in every direction even as many of us seem to be (even to prefer such orientation?) oriented in what is perceived/configured as forward orientation, something that Stein understood differently in her writings in which meanings fly, careen, and navigate every direction as she uses each word as a door that can be opened or closed from any direction/dimension of experience. Because of this beautiful flexibility of plasticity of language and perception, Stein is able to expose some of the wild temporary connections that emerge in the patterned movement (rhythms do emerge). There is interaction of meaning in Stein's text composition that seem attuned to a false security of knowing when knowing is rooted in more singular processing of meaning, a reduction of the entangled nature of stuff to something more stable even though waves of a pulsing instability can be soothing, the curviness pleasant --few parts of the body are completely straight.
Thanks so much for this video. The movement in it reminds me of the vibrational stretch in multiple, in every direction even as many of us seem to be (even to prefer such orientation?) oriented in what is perceived/configured as forward orientation, something that Stein understood differently in her writings in which meanings fly, careen, and navigate every direction as she uses each word as a door that can be opened or closed from any direction/dimension of experience. Because of this beautiful flexibility of plasticity of language and perception, Stein is able to expose some of the wild temporary connections that emerge in the patterned movement (rhythms do emerge). There is interaction of meaning in Stein's text composition that seem attuned to a false security of knowing when knowing is rooted in more singular processing of meaning, a reduction of the entangled nature of stuff to something more stable even though waves of a pulsing instability can be soothing, the curviness pleasant --few parts of the body are completely straight.
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